Memorable eating part of a group show at SOIL Gallery, Seattle USA 2014. This deck of cards with vinyl text took quotes from the guidebook to the Century 21 Seattle World's Fair of 1962, bringing the predictions of that event to the time of their anticipation- the 21st Century. The idea was that exhibition visitors could take the cards and so distribute them around the city. It was intended as a way to critique both the aspirations in the literature and the extent to which they emerged.

This work was part of Museum For An Imagined City in which a group of Glasgow based artist were asked to create visuals of their conceptualisation of Seattle, as a place they'd never visited.

Above, All the world's a ping pong table 2015. Part of a roving annual residency programme in Sweden, Tomma Rum (Empty Space) changes location each year. 2015 saw it take place in the remote logging town of Ljusne on the Baltic coast. Deindustrialised and depopulated, the town had become temporary home to people awaiting decisions on their status as aspirant citizens of Sweden.

The work involved remaking a defunct cutting bench as a ping pong table, creating a work that was sculptural, participatory, site-specific. Above all, it was simple and served as an ice-breaker at the weekly exhibition held at the former turbine hall.